THE OBJECT ISN'T TO MAKE ART, IT'S TO BE IN THAT WONDERFUL STATE WHICH MAKES ART INEVITABLE.
Robert Henri
MIRROR WRITING
Mawadah's use of Muthanna mirror writing is a testament to her dedication and meticulous craftsmanship.Her unique approach to reversed calligraphy creates artworks that are both visually stunning and conceptually thought-provoking, uncovering hidden messages and unlocking the beauty within.
Mawadah's use of reversed script aligns with her exploration of new forms of expression and pushing the boundaries of calligraphy. By challenging the traditional orientation and arrangement of the script, she breaks free from conventional constraints and opens up possibilities for conceptual experimentation. This approach allows her to infuse contemporary ideas and themes into the ancient art form of calligraphy, contributing to the conceptual depth of her artworks.
The historical first presidential visit of President Donald Trump to Saudi Arabia in 2017. HRH the custodian of the Holy Mosques, King Salman bin AbdulAziz Al Saud, visited the exhibition alongside the President of the United States and his entourage to view the astounding Saudi art collection.
Riyadh , SA
COLLABORATIONS
A CALLIGRAPHIC JOURNEY
Through the exploration of mirror Arabic calligraphy in art, Mawadah was able to challenge traditional notions of legibility and readability. By intentionally distorting or manipulating the letters, they can create abstract compositions that prioritize aesthetics and visual impact over strict adherence to linguistic conventions. This experimentation pushes the boundaries of calligraphy as an art form, blurring the lines between written language and visual expression.
Reversed Mirror calligraphy is a technique that challenges the norm, flipping the traditional script horizontally to create a mirrored image that adds a touch of creativity to any project. To create a reversed calligraphy typeface, I immerse myself in the traditional calligraphy forms and study the rules of Arabic script. I then let my imagination take over, experimenting with different shapes, proportions, and strokes to create a new typeface that is both aesthetically pleasing and legible.As I design the typeface, I pay close attention to the spacing between letters, the balance of the typeface, and the overall harmony of the design. I also consider the intended use of the typeface and how it will be used in different contexts.
EXPLORING SINCE 2013.
CREATIONS
This section showcases my recent calligraphy and lettering projects. I aim to continually challenge myself with new styles and techniques
